2013-04-16 10:05:26 +02:00

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8465923
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# Doctor Who risks alienating the casual viewer
## Robert Colvile, a fan of Doctor Who, says tonight's episode, The
Impossible Astronaut, was both over-complex and grim.
![Matt Smith in Doctor Who. Photo: BBC/James Stenson][1]
Matt Smith in Doctor Who. Photo: BBC/James Stenson
By Robert Colvile 8:00PM BST 23 Apr 2011
[Comments][2]
It was fitting that Doctor Who returned to our screens on BBC One on Saturday,
since the opening episode perfectly encapsulated the spirit of the Easter
season - namely, sugar-crazed hyperactivity.
In just the first five minutes of this two-part story, we had seen the Doctor
rampaging through history in an effort to contact faithful companions Amy
(Karen Gillan) and Rory (Arthur Darvill), had a brief glimpse of their life of
beautifully decorated domesticity, been reunited with mysterious space
archaeologist River Song (Alex Kingston) and gone on location to Utah. And
then, after briefly admiring the Doctor's new stetson, we'd seen him killed -
really, truly dead-as-a-doornail killed - by what looked like one of the
Apollo 11 astronauts.
Fortunately for the BBC, which was rather relying on getting a few more series
out of its cash cow, the dead man turned out to be the Doctor from the future
- meaning that his younger self was still around. So "our" Doctor headed back
to 1969 with a trio of companions who were uncomfortably aware both that he
was soon to shuffle off this Time Lordly coil, and that they couldn't tell him
anything about it.
For many shows, that would be enough drama to be going on with. But the
writer, Steven Moffat, layered mystery upon mystery. To last year's big
question - who was behind the near-destruction of the Tardis (and the
universe) in the series finale? - were added many more. Who was the little
girl making disturbing phone calls to President Nixon? What were the sinister,
FBI-suited aliens stalking Amy? And did this have anything to do with the Moon
landing, which was just days away?
That such a densely plotted show did not sink into incomprehensibility, or
turn the viewer off with a tone that was, at times, almost horror-movie grim,
was down to the easy chemistry of the cast, the wit of Moffat's writing, and
the ravishing production values. Smith has come into his own as the Doctor,
shifting between amiable, zany and intense as the occasion demands, and
Darvill is a particular delight as Rory, with a nice line in buffoonery and
wounded affection.
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06 May 2011
* [Matt Smith receives Bafta nomination for Doctor Who role][5]
26 Apr 2011
* [Karen Gillan: Who's that girl?][6]
16 Apr 2011
* [Doctor Who: The Impossible Astronaut, review][7]
23 Apr 2011
* [Doctor Who, episode 2: Day of the Moon, review][8]
30 Apr 2011
The central problem, however, is that while the Nixon references were
wonderful (who knew the Doctor was to blame for Watergate?) and the jokes
sparkling, many of the elements felt not just frenzied, but familiar. It's one
thing to refer to previous episodes, but Moffat recycled a host of tropes and
tricks from his own work on the series: sinister phone calls from childish
voices, chilling figures clad in opaque spacesuits, even monsters that you
can't look away from, lest something bad happens.
It could be, given Moffat's stellar record on both Doctor Who and Sherlock,
that this was entirely deliberate, and will pay off later. But stir in the
brain-melting time-travel paradoxes and multitude of dangling plot threads,
and this felt like a writer stirring everything into the pot, and damn the
need for exposition. The result was an episode that rewarded the dedicated fan
but could leave the younger or casual viewer baffled. That, or terrified: in
the cliffhanger ending, Amy confessed to the Doctor that she was pregnant,
then shot a young child in the face. As I said, grim.
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