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# Doctor Who, episode 1: The Impossible Astronaut, review
## Doctor Who expert Gavin Fuller reviews the first episode in the new series
of Doctor Who, BBC One.
![Alex Kingston as River Song in Doctor Who. Photo: BBC/James Stenson][1]
Alex Kingston as River Song in Doctor Who. Photo: BBC/James Stenson
By Gavin Fuller 7:39PM BST 23 Apr 2011
[Comments][2]
After a slightly silly pre-credits sequence,** [Doctor Who][3]**'s 32nd season
started with a bang - an Apollo astronaut emerging from a lake and killing The
Doctor was an unusual although startling way to open a new series to say the
least.
Having thought it a bit odd that the Doctor appeared to have aged about 200
years overnight (although there is the mystery of how he managed to shed 50
years between his seventh and tenth incarnations) the fact this was a future
Doctor who was meeting his maker made sense. But writer and producer Steven
Moffat is tempting fate assuming a 200-year lifespan for an incarnation given
the apparent length of The Doctor's previous ones if the ages given in
previous episodes make any sense!
Anyway, on to the episode itself, and again Moffat seems to have created a
great concept for a monster with his latest effort, the Silence, a monster who
as soon as you look away from them you forget about.
A very useful asset for a species with no doubt unpleasant designs, given
their casual slaughter of a member of the White House staff, and one which
added a layer of chillingness to the scenes in which they appeared.
Yet they were almost an aside to this episode, with the concentration on how
Amy, Rory and River cope with the foreknowledge of The Doctor's death and the
fact they cannot tell him about it leading to some great moments of character
drama between them. These are topped by the scene with River dreading the day,
which we have already seen in _Silence in the Library,_ where she meets the
Doctor but he had no idea who she is; Alex Kingston shone in this episode.
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Moffat clearly loves the way Doctor who can play around with concepts of time,
and this episode was one which dealt in a mature manner with this, aided by
some fizzing dialogue as the episode progressed; this was quite a wordy
episode which concentrated more on atmosphere than pace and visual thrills.
Giving a prominent role to Richard Nixon, given his reputation post-Watergate,
was also a brave move.
Matt Smith still arguably needs to find the right balance between serious and
humour. The latter occasionally jarred in such a deeply layered episode as
this. I don't quite see why Amy had an urgent need in the middle of a
warehouse to tell him about her pregnancy, unless the Silence's instructions
to her previously in the episode were responsible in some way (tricky though
as she'd surely forgotten them after leaving the rest room?).
This minor quibble aside, this was a cracking start to the first part of the
2011 series, with the shocking ending of Amy seemingly shooting a girl making
one keen wait for the conclusion next week to see how it all resolves itself.
_- Gavin Fuller is a Doctor Who expert and lifelong fan. In 1993 he became the
youngest ever champion of Mastermind, with Doctor Who as his specialist
subject._
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