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culture
music
live-music-reviews
8494963
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# Hugh Laurie and his fake American accent
## Actor was impressively at ease on piano and guitar but his one-dimensional
voice lets him down. Rating * * *
![Hugh Laurie performs at London's Union Chapel][1]
Hugh Laurie performs at London's Union Chapel Photo: PA
[![Neil McCormick][2]][3]
By [Neil McCormick][4], Music Critic 12:52PM BST 05 May 2011
[Comments][5]
**Hugh Laurie (Union Chapel, London) **
Down on the muddy delta of the Thames , they call him Blind Lemon Wooster, a
familiar figure in old Oxford town, just a po' boy picking out the blues
beneath the dreaming spires. "Woke up this morning and thought I was the
highest paid actor in TV…."
Ok, it didn't really happen like that.** [Hugh Laurie][6]** is the latest
actor to parlay screen stardom into a musical career. Professing a lifelong
love of early blues, he appeared on stage at London's Union Chapel ahead of
the launch of his debut album, _Let Them Talk_, next week. While his band of
superb American session musicians opened with a lateral, cerebrally stilted
jazz man's stroll through a Thelonious Monk instrumental, Laurie made a
comedian's entrance, strolling down the central aisle of the beautiful
Islington chapel before pulling a ludicrous Bruce Forsyth pose and joining the
band on piano.
Of course, we already know Laurie's stand up skills, and he proved a genial
and highly amusing host, his between song patter keeping an already
enthusiastic audience tittering with delight. And there was never much doubt
about Laurie's professional musical skills, for that matter.
## Related Articles
* [Hugh Laurie on his love of the blues][7]
04 May 2011
* [Hugh Laurie: Let Them Talk, CD review][8]
05 May 2011
* [Hugh Laurie: musical profile][9]
23 Mar 2011
* [Laurie gets in first with the mockery][10]
23 Mar 2011
* [Singing film stars: are these the five worst?][11]
09 Mar 2011
Accompanying himself performing comedic songs was a key element of his
routines with Stephen Fry, and he has even incorporated his multi-instrumental
skills into his starring role in hit US show House MD, with the morose doctor
frequently unleashing himself on guitar and piano. Where many singing actors
just install themselves in front of bands of professionals and let them do all
the real work,** **Laurie was impressively at ease integrating his often
florid, classically titled piano playing and more basic guitar fretwork into
rich and fluid arrangements of New Orleans flavoured gospel, blues and
country. Indeed, he was clearly utterly transported by the experience, his
expressive face contorting itself in expressions of rapture.
Laurie's knowledge of and indeed reverence for the music is apparent, and is
perhaps what sets this apart from most thespian musical ventures. Each song
was introduced with reference to its historical genealogy, the origins and
arrangements dutifully ascribed to Louis Armstrong, Jelly Roll Morton, Hughie
Ledbetter and Leroy Carr.
His admiration for his band was equally clear. "I feel like I have a rich
uncle who's gone away for the week and left me the keys to his Ferrari," he
twinkled, always quick to draw attention to outstanding and surprising solo
work from guitarist Kevin Breight and horn player Vincent Henry. The only
serious question might be what Laurie himself brings to the party.
The band's take on the standard _St James Infirmary _features florid and
technically impressive piano playing with an almost Gothic tilt, but he sings
this most dark and brooding of songs in a fake American accent, without
emotional nuance. To be fair, he is good at the American accent, as he has
proven in House. And he can sing, in the sense of putting all the right notes
together, in the right order. But his voice, the focus of the evening, is one-
dimensional, and he rarely takes flight with the same confidence he expresses
at the keyboard.
Only on a stripped back _Careless Love_ (a version he credited to Champion
Jack Dupree, and which I suspect he has been playing for a very long time) did
he seem to let loose and bring some tone and heart to the performance,
something more than just the kind of respectful imitation you might expect to
hear from any decent covers band.
The key to the entertainment on offer here was the way Laurie switched from
his very English, self-deprecating, funny and apologetic persona to
respectful, American inflected devotee of the blues. So maybe the notion of
Blind Lemon Wooster isn't so far from the mark. With such a great band of
players to flesh his fantasies out, it all added up to a hugely enjoyable
performance. But there must be bluesmen all over America wondering what the
fuss is about.
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