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# Dave Grohl interview
## 'The Nicest Man in Rock' on endless touring, the legacy of Nirvana and
what he'd do to protect the Foos
![Dave Grohl ][1]
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Dave Grohl Photo: Alessandra Petlin,
![Dave Grohl, Kurt Cobain, Krist Novoselic - early 1990's][2]
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Dave Grohl, Kurt Cobain, Krist Novoselic - early 1990's Photo: REX FEATURES
![Grohl arrives to the 2005 MTV Movie Awards, in Los Angeles][3]
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Grohl arrives to the 2005 MTV Movie Awards, in Los Angeles Photo: Getty Images
![Dave Grohl ][4]
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Dave Grohl Photo: Alessandra Petlin
![Foo Fighters, Goat Island in Sydney, Australia - 24 Mar 2011.][5]
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Foo Fighters, Goat Island in Sydney, Australia - 24 Mar 2011. Photo: REX
FEATURES
By Craig McLean 8:48AM BST 18 Apr 2011
[Comments][6]
Is Dave Grohl, leader of [Foo Fighters][7] and former drummer with Nirvana,
The Nicest Man In Rock? Everyone - journalists, other musicians, his mother -
says he is. But is he really? Here's the case against. For one thing, these
days he may be a happily married father of two, but after his first marriage
ended, he had a John Lennon-style "Lost Weekend".
"I moved to Los Angeles for one year in 1997. That was post-divorce,"
remembers the 42-year-old who, via his two Nirvana albums and six Foo Fighters
releases, can lay claim to record sales of 25 million copies. He didn't lose
himself in a haze of drug abuse, "but I did all of the other things..."
So, he's a sleazeball. Well, he was. Briefly. Fourteen years ago. "And that's
it. That was enough for me, that one year. Because how could that possibly
make you feel fulfilled? That momentary reward isn't enough."
More evidence for the prosecution: Foo Fighters have been chugging onwards,
pumping out sturdy pop-rock hit singles (_This Is A Call_, _Everlong_, _Times
Like These_) since 1995, the year after Nirvana frontman Kurt Cobain shot
himself. But they've had a revolving door of personnel in that time. The man
responsible for the hiring, firing and retiring of a fistful of guitarists and
drummers? David Eric Grohl.
This merry-go-round is recounted in wincing detail in _Back And Forth_, a new
documentary about the band. It is being released in cinemas in parallel with
the appearance of the latest Foo Fighters album, _Wasting Light_. However, all
the ex-members of the band were happy to be interviewed for the film. If
grudges are held, they're outweighed by the musicians' continued respect for
their erstwhile leader. Plus, to his credit, Grohl admits he found it
"abso-f------ -lutely uncomfortable watching the film".
## Related Articles
* [Dave Grohl on Foo Fighters' Wasting Light album][8]
18 Apr 2011
* [Foo Fighters top of UK album chart][9]
18 Apr 2011
* [Dave Grohl's 2011: Muppets, tours and a new album][10]
11 Jan 2011
* [Foo Fighters, Wasting Light, CD of the week][11]
07 Apr 2011
* [Foo Fighters release documentary for 'the hardcore fans'][12]
06 Apr 2011
* [Foo Fighters, Wembley Arena][13]
28 Feb 2011
Did he feel guilty? "Totally. Yeah, it was hard - but it's a true story so why
not tell it?"
The Los Angeles-based singer, songwriter and guitarist says that his
"territorial" protection of his band is what led him, for example, to re-
record all the drums himself on Foo Fighters' second album, _The Colour And
The Shape_ (1997), much to the distress of the band's then-drummer (cue
drummer walking out). "I did it because I knew the album wasn't going to make
it unless I did." Thus, paradoxically, protecting the band is what makes him
get his "claws out"?
"Absolutely," he nods vigorously, pointing out that the current line-up of the
band has been unchanged for five years. "I mean, I never liked being told what
to do. It's one of the reasons I dropped out of school. Give me something to
assemble, I won't look at the directions, I'll try to figure it out by myself.
It's why I love Ikea furniture." The prosecution rests, and will proffer a
plea bargain. The evidence suggests that Grohl may indeed be The Nicest Person
In Rock, a smart, candid, respectful, generous, enthusiastic purist. He even
loves Ikea.
My month shadowing Grohl and his bandmates (guitarists Pat Smear and Chris
Shiflett, bassist Nate Mendel, drummer Taylor Hawkins) begins one February
night at the plush premises of the British Academy of Film & Television Arts
in central London.
Bafta is hosting a screening of _Back And Forth_. As a piece of "rockumentary"
film-making goes, it exhaustively grills the band about their relationships
with each other - in the words of the singer, there are few "wacky tour
anecdotes". In unflashy detail, and via archive footage and new interviews
with the band conducted by the director ("I did 14 hours!"), it details
Grohl's musical history: pre-Nirvana, when he was in punk bands in Los Angeles
and Seattle; joining Nirvana in 1990, prior to the recording of their landmark
second album _Nevermind_; his "crash course in rock", between 1991-94, when
the trio, contrary to anyone's expectations, became the biggest band in the
world; the horror of Cobain's descent into heroin addiction and his suicide,
17 years ago, at the age of 27.
As the nearly two-hour film zips onwards, we see Grohl's re-emergence as a
gifted writer and frontman in his own right. It was more than anyone expected
from the drummer dubbed "grunge Ringo" - even if he had been fundamental to
the success of a band that reshaped what "alternative rock" meant.
Then we follow 16 years of roaring success - in support of their last album,
2007's _Echoes_, _Silence_, _Patience & Grace_, Foo Fighters sold out two
nights at Wembley Stadium; that's 170,000 tickets - and some occasionally
troubling inter-personnel trauma. After the screening, the band file into the
Bafta bar. Strapping, well-preserved Grohl is dressed, as is his is wont, in a
rock-oriented T-shirt (Motorhead), jeans and trainers. His shiny hair is
shoulder-length, his goatee neatly trimmed; his tattooed forearms are meaty,
his teeth bright, white and big.
The following night, Foo Fighters are guests of honour at the NME Awards at
Brixton Academy in south London. Grohl is being honoured as 2011's "Godlike
Genius" by the music magazine. Towards the end of the boozy bash, Roger
Daltrey presents Grohl's award. The Who frontman introduces Grohl by saying
he'd heard "the sound of knickers hitting the floor when Dave walked in the
room". A sheepish Grohl concludes a short speech by saying "this one's for
Kurt". When I ask why he said this, he replies: "Because can't you imagine
that he would have had that award years ago? So yeah, I was sharing it with
him."
At the close of the ceremony, Foo Fighters were expected to play a short set
of four or five songs. They began with Daltrey joining them on a cover of The
Who's _Young Man Blues_. They ended, two and a half hours later, with Grohl
playing another huge guitar solo.
The next night, they turn up at the invitation-only opening of an exhibition
dedicated to Queen, being held in an old brewery in Shoreditch. Grohl, a rock
Anglophile whose earliest music obsession was Led Zeppelin, admits to being a
fan.
Roger Taylor and Brian May, the two active/alive members of the band, also
turned up. But, Grohl tells me afterwards, he didn't enjoy it so much. "I
wanted to be this anonymous Queen fan, walking around and taking it all in,
with the headphones on. But I wound up having to pose for a picture with
everybody and their mother. So I gave up after about an hour."
I next see Foo Fighters in mid-March. They've come to Austin, Texas, to SXSW
(South By Southwest), a music festival for, mainly, up and coming "buzz"
bands. There is also a film strand, and the LA-based five-piece are here to
premiere their documentary. And while they're here, they might as well do
another secret show. They play for almost two hours behind a rib shack called
Stubbs. The second song is new single _Rope_, which already sounds like a
classic Foos anthem.
The following afternoon, the band are in a stone-built, 90-year-old scout hut
in a country park a little way from the centre of town. Grohl, true to
engaging form, is buzzing: happy to be "on the road", happy to be talking
about the new record, thrilled to be launching it at SXSW. That said, he is
missing his children. Violet is four and Harper is 18 months old. Jordyn, the
wife he met 10 years ago and a former MTV producer, is used to his extended
absences. But having a young family was one reason he decided to make _Wasting
Light_ at home, in his garage. The documentary's final portion sees these
recording sessions, with walk-on parts for his children.
"I love everything about my job, except being away from the kids. This," he
says, showing me a chunky gold ring with his initials on it, "the day I was
leaving, my daughter said, 'Daddy, I want you to wear this. And every time you
miss me, look at this ring and just know that I love you so much'. She's not
even five! I was blown away."
Grohl is a renowned workaholic - he has participated in numerous musical side-
projects, and one of the themes of _Back And_ _Forth_ is just how long Foo
Fighters spend on tour.
Does having a young family make him use his time more efficiently? "Yeah. I
was talking to my mother about this the other day. She was a public school
teacher for 35 years, so she worked. And I was driving to the studio - because
even on our time off, it's not time off - I'm in there every day, 10 in the
morning, doing stuff. I'm president of Foos Inc, that f------ corporation!"
His mother, who now lives near him in LA, was worried he worked too hard. He
had to tell her that was how she'd raised him. After his parents divorced when
he was seven - his father was a political speech writer in Washington DC -
money was scarce. Hard work was ingrained.
In any case, Grohl points out as we talk on a windy terrace overlooking
Austin: "How could you not want to do this? I get to sit around and talk about
rock'n'roll all day, then go play music with my friends and laugh my a-- off
backstage, until it's time to have a beer and get 80,000 people to sing with
me. That's not work!"
Does Violet understand what her father's job is?
"Absolutely. We have this Richard Scarry book, _Busytown_. Joe's a plumber,
Joe fixes your pipes when they're blocked. This is a lawyer, he helps people
settle arguments." One day two years ago, Grohl had to go to the "office": 606
Studios, Foo Fighters' huge rehearsal and recording facility in Northridge, 45
minutes' drive from West Hollywood. "And I said, 'OK, Boo, I'm leaving'."
"'Where are you going?'"
"'I'm going to work'."
"'Why?'"
"'Well, some daddies are lawyers, some are doctors - I'm a musician, that's my
job. And I go to work so that I can make money so we can have food and you can
have clothes and you can have toys'. And she immediately said, 'I don't have
enough toys!"' Grohl laughs uproariously.
"But I have little tricks - if I'm gone for 10 days, I'll write 10 letters,
and every day I'm gone, my wife gives them a letter. Or I make a calendar and
I'll let them draw the pictures. I left high school at 17. I was on the road
on my 18th birthday. And my mother watched me jump in a van with five other
dirty punk rockers, and I'd say, 'OK, I'll be back in two months'. Called her
once or twice from a payphone, sent her a postcard."
Pause. "I would never let my child do that!"
His life, he says, revolves around two families: the band, and his wife and
kids. They, and his closeness to his roots, kept him grounded when he might
have been expected to lose it in the manner of so many rockers before him.
"When Nirvana became popular, you could very easily slip and get lost during
that storm. I fortunately had really heavy anchors - old friends, family. And
if I ever felt like I was being swept away, I'd just run back to Virginia.
Drinking at the rib restaurant with my buddies, and the bartender I went to
high school with, that's what kept me from losing it."
Also, he has perspective on the destructive force of drugs. He lost Cobain,
and he almost lost Taylor Hawkins. The Foo Fighters drummer overdosed in
London in 2001 and Grohl sat with him until he came out of his coma. "A part
of me resented music for doing this to my friends. I just felt like, 'I don't
want to play any more if it's gonna make my friend die'." He seriously thought
about giving up music? "Absolutely!" Grohl says forcefully. "When he woke up,
I said, 'Dude, I just want you to know, we're not talking about the band until
you're ready.' And we didn't for a while."
His inner-strength, he acknowledges, had been forged early on. And, in a way,
out of necessity. "I stopped doing drugs when I was 20. I was finished with
drugs before Nirvana even started. And I didn't do hard drugs. I saw it as
something that would make everything a little more difficult.
"I also know myself well enough to keep out of that. As soon as I get my face
in a pile of coke, it's game over - teeth out, money gone. You see the way I
drink coffee! It'd be all over!" he laughs.
"Plus, I've seen it before - before I was in Nirvana I knew people who had
OD'd. I love to play music. So why endanger that with something like drugs?"
What kind of 44-year-old does Grohl think Cobain would have been? "I don't
know,"'he says a little heavily. "He'd probably be the same 25-, 26-year-old
he was. Unfortunately we'll never know." Talking about Cobain is the one time
his natural ebullience levels off. Next month is the 20th anniversary of the
recording of _Nevermind_. Grohl admits the memory of those more innocent times
still looms large in his thoughts.
As does, it seems, Cobain's widow Courtney Love, with whom there is no love
lost. The infamously ranting sometime-musician has variously claimed that
Grohl used to repeatedly "hit on" her; that Cobain "loathed" Grohl; and that
he wanted him out of Nirvana.
In a manner more legal than gutter, Grohl and Krist Novoselic have clashed
with Love over the commercial use (and abuse) of Nirvana's music and Cobain's
legacy, most recently over a Cobain avatar that appeared on computer game
_Guitar Hero_ _5_. _On the Echoes_, _Silence_, _Patience & Grace_ song _Let It
Die_, Grohl sang of "a simple man and his blushing bride/intravenous,
intertwined" - widely seen as a reference to Kurt and Courtney.
Today, mention of Love makes him grit his teeth, but he leavens his scant
comments with humour. "Can I describe my relationship with Courtney in three
words? No. I. Can't!"
Grohl says he continues to dream about his former bandmate. Making _Wasting
Light_ with producer Butch Vig (who worked on _Nevermind_) and having the
band's bass player Novoselic guest on a song, "brought back some really funny
memories. When you're with people who were there at the same time, you feel
like you're there again."
Are the dreams musical? "No," he begins. "Well, I've had a few dreams where
Kurt shows up and I'm so blown away. 'Wait, you never died?' For whatever
reason, he'd just been hiding." He smiles, a little. "And the three of us get
together to be a band again." He pauses and frowns. "It's totally weird."
The afternoon ahead is packed with media engagements. In the evening, Foo
Fighters are premiering _Rope_ on an MTV show being filmed live in Austin.
Then it's home to LA for a while. On the horizon: a summer of touring,
including two sold-out performances at Milton Keynes Bowl. Until then, Grohl
will slip back into his domestic role.
"There have been times in LA when I'll be in a farmers' market with my wife
and we're sitting down away from everyone, and she's breastfeeding our child -
and paparazzi are taking pictures of her breastfeeding! If I didn't think I'd
get sued I'd _murder_ that person. How dare anyone do something like that?"
The Nicest Guy In Rock is angry. Time to wind him up further. Recently there
was a statistical analysis of the kind of songs that had been successful in
the charts in 2010. For the first time, r&b and pop dominated, at the expense
of the musical form that has occupied most of Grohl's waking - and sometimes
dreaming - thoughts since his adolescence.
So, does Dave think rock is dead? He scoffs. "They say that every year. What,
it's dead again?" He grins his toothy grin. "Ask the 130,000 people who bought
a ticket to Milton Keynes if they think rock is dead. I don't. It's not dead
to me. Never has been."
_'Wasting Light' (Columbia) is out now. For tour details visit
www.foofighters.com_
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