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news
uknews
royal-wedding
8147335
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# Royal wedding: does Kate Middleton's style echo that of Diana?
## When Kate Middleton gave her first official interview last week, it was
almost as surprising as hearing the Mona Lisa speak.
![Palace advisors have prepared special instructional videos for Kate so she
can study Diana's winning techniques][1]
Image 1 of 7
Palace advisors have prepared special instructional videos for Kate so she can
study Diana's winning techniques Photo: GETTY
![Royal enthusiasts may be toasting a fairytale love-story but in the City the
smart money is already on companies set to benefit from the 'wedding
factor.'][2]
Image 1 of 7
As Ms Middleton admires her engagement ring, ITV and BSkyB, could be boosted
by the intense interest around the world. Photo: GETTY IMAGES
![Prince Charles and Lady Diana Spencer on their engagement day at Buckingham
Palace][3]
Image 1 of 7
Prince Charles and Lady Diana Spencer on their engagement day at Buckingham
Palace Photo: REX FEATURES
![Prince William and Kate Middleton][4]
Image 1 of 7
Prince William and Kate Middleton to wed Photo: Davidson/O'Neill/Rex Features
![Kate Middleton, right, with sister Pippa who is tipped to be chief
bridesmaid][5]
Image 1 of 7
Kate Middleton, right, with sister Pippa who is tipped to be chief bridesmaid
Photo: Richard Young/Rex Features
![Royal wedding: William and Kate set for spring date at Westminster Abbey][6]
Image 1 of 7
Kate Middleton and Prince William Photo: Stephen Lock
![Royal Wedding: The strange origin of royal fairy tales; Prince William has
given Kate Middleton the engagement ring that belonged to his late mother
Diana, Princess of Wales; AFP][7]
Image 1 of 7
Prince William has given Kate Middleton the engagement ring that belonged to
his late mother Diana, Princess of Wales Photo: AFP/Getty Images
[![Justine Picardie][8]][9]
By [Justine Picardie][10] 8:00AM GMT 22 Nov 2010
For in the eight years that she has been a princess-in-waiting, [Kate
Middleton][11]'s silence has been the counterweight to her constant pictorial
presence; and in the absence of the spoken word, her sartorial choices have
been as closely scrutinised as the illuminations of an ancient Grail
manuscript.
This is, perhaps, predictable, in an era where the labels worn by global
celebrities have taken on as much significance as religious iconography in
previous centuries. (Chanel, Gucci, Prada, Dior … the brands are chanted with
the same reverence as that reserved for hymns and mantras.) Hence Middleton's
appearance in a sapphire blue dress by Daniella Issa Helayel, to match the
colour of her engagement ring, has been accorded the same weight of attention
that accompanied Michelle Obama's decision on what to wear to the Presidential
Inauguration. Inevitably, the comparison has been with a different First Lady,
Prince William's mother, Diana. Princess of Wales (or in Tina Brown's
memorable phrase, "the golden-haired Rebecca of the Royal House of Windsor"),
whose ring is now on Middleton's finger, with all the weight of expectation
and history that such a totem must bring. What does it mean ("good luck or
bad?" tweet the legions of commentators), and why did Kate Middleton choose
the same shade of blue as Diana did at that previous, ill-starred engagement
in 1981? If the story of Kate's ascent from a commoner to royalty is being
hailed as a 21st-century fairy tale, then as with all archetypal narratives, a
shadow must fall across the sunlight.
That's one way of telling it, at least, but hopefully there is a less
portentous alternative. Yes, the comparisons between Kate's clothes and
Diana's have already been drawn: the transparency of their first, unguarded
photographs (Diana inadvertently exposed in a see-through skirt; Kate
apparently more knowing in sheer black lace at a student fashion show); the
red jackets that identified both on the ski slopes (little red riding hoods
not yet gobbled by the big bad wolf); the aforementioned Virgin Mary blue
engagement outfits.
But much of what Middleton has worn has been so unremarkable that it resists
analysis. Not that it stops us from trying. She has been heralded as an icon
of Middle England - her very name an allegorical embodiment of social
mobility, yet also of middlebrow stability - while simultaneously mocked for
her patience ("waity Katie") before Prince William finally decided to commit.
Dismissed for playing it too safe - "lamb dressed as mutton", or as "nouveau
Sloane", or as dressing like her mother Carole (famously a former air
stewardess) - Middleton has negotiated a near-impossible minefield of
criticism of her wardrobe. And really, what else was the poor girl supposed to
wear other than standardised fail-safes as she waited to be anointed as the
Chosen One?
Nevertheless, I confess, I've become as intrigued as the rest of the Kate-
spotters this week, poring over the runes. Hence my excitement at sharing with
you the scoop that Mrs Middleton has shopped for her daughter at two Home
Counties' boutiques - Jeanne Petitt in Hungerford and Moda Rosa in Alresford -
and that the blue outfit worn by Kate at a friend's wedding last year was
designed by Jane Troughton, a former student at Edinburgh University, who has
also dressed Laura Bailey and Jodie Kidd. Oh, and Kate is a regular at
Austique, a fashionable King's Road boutique whose best-selling stock includes
days-of-the-week knickers and Sexy Mama Anti Shine Translucent Powder. Read
what you will into such minutiae.
## Related Articles
* [Royal wedding: a triumph for love alone][12]
21 Nov 2010
* [The making of a modern prince][13]
22 Nov 2010
* [The making of a princess][14]
21 Nov 2010
As for the rest of it: well, at St Andrews she looked like many other nicely
brought-up former boarding school girls, in boot-cut jeans, Puffa jackets and
neutral cashmeres - but even glossier than most (gorgeous mane of hair, white
teeth, long legs, trim figure). Thereafter, she steered a course between
daytime primness and nightlife sex kitten. Her brief career as an accessories
buyer for Jigsaw was made manifest in her office outfits - floral frocks,
cardigans, nipped-in-jackets, courtesy of Jigsaw and its sister label, Kew,
along with knee-high boots from LK Bennett, interspersed with a number of
unremarkable High Street staples. Nevertheless, a great many consumers appear
to admire her choices, given that whenever an item of her clothing has been
identified, it instantly sells out. Witness the run on the Issa engagement
dress, and previous hits: a £40 Topshop black and white tunic dress, worn on
the occasion of her 25th birthday in January 2007; a striped monochrome dress
from French Connection, and a £25 print top from the same brand, charmingly
titled the "Love Bird", donned as a spectator at a polo match last year.
At night, Middleton has metamorphosed into a slinkier character, most notably
in fluorescent sequinned hotpants at a charity roller disco in 2008, and the
occasional sparkly minidress at her favourite nightclubs, Boujis and Mahiki.
Added into this potent mix of minx and young matron are Middleton's choices
for the great rituals of upper-class mating display: shooting parties, society
weddings, dances and the races.
Some of these events have a faint echo of PG Wodehouse: for example, the June
2006 Boodles Boxing Ball, where Kate wore an aquamarine BCBG jersey gown from
Harvey Nichols (an occasion where the comparison was made, yet again, with a
similar dress worn by Prince William's mother a decade previously).
Her appearance at the Cheltenham races in March 2007 was equally scrutinised.
Middleton's form was studied with even more intensity than the horses. Hilary
Alexander, fashion director of The Telegraph, was unconvinced by "her somewhat
school-marmish first outing" at the opening day in March 2007: "her
unflattering 'Brown Windsor' tweed suit prompted comparisons with older royals
more than twice her age". But her second appearance, on Gold Cup Day, was
deemed more confident, in a sweet egg-shell blue Harris tweed jacket designed
by Katherine Hooker and a beret by Philip Treacy, who has supplied Middleton
with a stream of big hats and feathered fascinators for passing-out parades
and weddings.
Which brings us back to the next episode of the fairytale, already entitled
The Dress, whether by Daniella Issa Helayel or Phillipa Lepley, Jenny Packham
or Amanda Wakeley, Alice Temperley or Stella McCartney. At this point, I'm
more interested in a happy-ever-after; an outcome that does not involve Kate
Middleton becoming too thin, too airbrushed, too fashion-conscious, or too
grand. In other words, I am hoping for the impossible and the unspoiled; for
time to stand still, and that nice girl from Berkshire to keep her sensibly
shod feet on the ground.
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http://www.telegraph.co.uk/news/uknews/royal-wedding/8147335/Royal-wedding-
does-Kate-Middletons-style-echo-that-of-Diana.html
Telegraph
## [Royal Wedding][20]
* ### [News »][21]
* ### [The Royal Family »][22]
* ### [Culture »][23]
* ### [Features »][24]
* ### [Justine Picardie »][9]
In news
[![Royal wedding: Kate Middleton's wedding dress in pictures][25] ][26]
### [Royal wedding highlights][26]
[![Prince William and Kate wave to the crowds ][27] ][28]
### [Royal wedding highlights][28]
[![Prince William and his wife Kate, Duchess of Cambridge kiss on the balcony
in Buckingham Palace after their wedding service][29] ][30]
### [Royal wedding balcony kiss][30]
[![The best dressed at the royal wedding][31] ][32]
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