2013-04-16 10:05:26 +02:00

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# Ford and the art of noise
## Cars are quieter than ever - so you can hear all sorts of distracting
noises. And how do you tell a supercar from a shopping car by ear? That's
where the science of acoustics comes in, says Andrew English - or is it an
art?
![Ford's dedicated acoustic testing lab allows technicians to study squeaks
and rattles. ][1]
Ford's dedicated acoustic testing lab allows technicians to study squeaks and
rattles.
Andrew English 3:30PM GMT 16 Dec 2010
Define a noise. High- or low-pitched? Harsh, soft, or refined? Loud, rhythmic,
discordant, harmonious or just plain old cacophonous? Difficult, isn't it?
They're all vibrations and all waveforms, but as different as waves on the
beach and almost impossible to describe.
You might say that, in reducing a car's noise, Ford's sound engineers are
playing the role of King Canute in trying to hold back the waves, except (in
both cases) it's much more complicated than that.
Where the 11th-century Viking king was illustrating the futility of kings in
the face of God's power, Ford's engineers really are attempting to stop the
waves. They are also trying to reduce the size of those waves, prevent their
transmission and even change their shape.
Complicated? Let Frank Foehner and Ralf Heinrichs explain. Foehner is the
noise, vibration and harshness (NVH is the industry's favoured three-letter
acronym) supervisor on the C and D platform cars - read Focus and new Mondeo.
Notice he's an NVH supervisor, not an NVH exterminator - his job is
supervising sound, massaging it around the car so it becomes (almost)
unnoticeable to the human ear.
"Basically we divide the job into three elements on top of each other like a
pyramid," he says. "The bottom of the pyramid is fundamental acoustics and the
avoidance of error states such as booming, vibration or drumming. Then there's
the middle of the pyramid, which is sound refinement and the balance of noise
sources. The top part is the super-refinement, which is the quality of the
noise and the brand identity."
If you** read the panel**, you'll see that there's not much that escapes their
scrutiny at the first level, but the middle level is almost as painstaking.
Tyres are a major source of noise and "tyre tuning is extensive at Ford", says
Heinrichs, a supervisor for vehicle sound quality.
"Road noise is a major issue," he says, "the radiated noise from the tyre gets
fed back into the vehicle structure." He explains how the acoustic laminated
windscreen in the new Mondeo has helped reduce noise not just from the tyres,
but also from the engine, bodyshell, wipers, the wind battering the screen and
the windscreen itself.
"An ordinary windscreen is a pretty good loudspeaker that sits right in front
of the driver," he says. "The acoustic windscreen is a poor loudspeaker and
that's what we're looking for." In fact that acoustic layered screen is
responsible for a three- to four-decibel drop in high-frequency noise in the
Mondeo's cabin, which is a significant reduction to the human ear.
And it isn't just comfort and refinement Ford is looking for when it reduces
cabin noise. Work done initially in the commercial vehicle industry,
particularly by Volvo and Scania in the early Eighties, shows that a simple
reduction in noise volume has a huge effect on reducing driver fatigue and
maintaining alertness.
So, better carpets, a bodyshell swaddled in more than an inch-thick interlay
of sound-deadening material, advanced door and window sealing, undershields,
belt seals and the acoustic optimisation of start/stop systems are as much a
road-safety requirement as they are a marketing tool these days. But then
we're at the third stage, the quality of that sound, and here's where it gets
really strange really fast. "Not that you can miss any of these stages,"
asserts Foehner fiercely.
So what does a Ford sound like? "It's a quality of sound," says Heinrichs. "A
growly note, a resonance with the engine order, but only under acceleration."
Foehner adds: "It's a sound feedback to the driver, related to the power, so
it's not appropriate to have this power noise in a car without the power."
For that reason, the discussion takes place around the more powerful 238bhp
EcoBoost engine in the new Mondeo, where Ford wanted a signature acceleration
note. In other words, they put noise back in. The result is a sound symposer,
a mechanical sound box with a membrane inside, which amplifies the
acceleration note from this turbocharged engine into the cabin.
It was WO Bentley who, on learning that an independent firm had taken up
supercharging his 4½-litre engine, condemned the venture, saying it destroyed
the characteristics of an engine never designed to take forced induction.
When I mention this to Heinrichs, he laughs. "Well, now we have the solution,"
he says. "With the symposer, people perceive the forced induction car to be
more sporty!"
But what of the future? What about hybrid cars and electric cars, where engine
noise will not necessarily correspond to road speed, motor whine will need to
be engineered out and pedestrians warned of the approach of these silent cars?
Foehner and Heinrichs reassure me that reducing the NVH of a hybrid or pure
battery-electric car is no lesser challenge than it is for a petrol or a
diesel engine, but the field of artificial warnings is an interesting one.
Nissan's battery-electric Leaf is next year's European Car of the Year and it
goes on sale in March. To warn pedestrians of its approach it produces an
artificial anti-phase noise, which sounds like a low growl. This sort of
warning for crowded urban areas is already mandated in Japan and the US has
legislation in preparation, with European authorities taking a keen interest.
Volkswagen and Mercedes are convinced that their electric car's signature
noise will be an important part of the brand identity and Heinrichs agrees.
"This is a really hot area right now," he says. "Everyone is talking about it.
Not just having a motor noise, but a modern noise that marks your vehicle out.
Everyone is working on it, but no one is telling what they are doing, it's
absolutely top-secret."
So what are Ford…? "As I said, it's top-secret," he says, "but what I can tell
you is that nobody really knows what will happen in this area or what the
future will bring in, say, 10 years." Looks as if we're all going to have to
wait, then. Just keep on listening, folks.
### Ford's voodoo fundamentals
Voodoo engineering and lots of rubber make all the right noises...
"To truly reduce the noise we have to get the fundamentals right," says Frank
Foehner. The science of noise, vibration and harshness engineering is advanced
enough to know where sound is generated and how it is transmitted, but
reducing both means that sound engineers need to be involved in every element
of a new car's design at the very first stages of its inception.
"We need to be in early," says Foehner, "to achieve the right package." That
"package" is the voodoo engineering of a car that sounds exactly right, and
includes the stiffness of the bodyshell, the type, geometry and placement of
the suspension, and the material and design of the body and driveline
mountings.
Sometimes the sound engineers' requirements conflict with those of the
dynamics engineers, and the subsequent compromises introduce some of the
really clever stuff, such as semi-voided suspension bushes that remain stiff
but don't transmit noise, or sound and vibration dampers, which use a
rubbermounted mass to damp vibration and noise, such as the Mondeo's dual-mass
flywheel, or the dynamic absorber on the front struts.
"We like rubber," jokes Ralf Heinrichs half-seriously.
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