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culture
tvandradio
8150633
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# Any Human Heart, Channel 4, review
## Andrew Pettie reviews the first episode of William Boyd's Any Human Heart,
starring Jim Broadbent, Matthew Macfadyen and Gillian Anderson.
![Matthew Macfadyen and Hayley Atwell][1]
Matthew Macfadyen as Logan with Hayley Atwell as Freya, the love of his life
Photo: Channel 4
[![][2]][3]
By [Andrew Pettie][4] 8:35AM GMT 22 Nov 2010
[Comments][5]
In his 2002 novel Any Human Heart: the Intimate Journals of Logan Mountstuart,
[William Boyd][6] tells the long, absurdly eventful life-story of his
protagonist across 512 pages. It's a novel so absorbing one of my friends read
it in a single sitting. For Channel 4's big-budget adaptation, which began
last night, Boyd has turned scriptwriter to condense Any Human Heart into four
televised chapters. His challenge: to make Logan's tale light up the screen in
the same way it leaps off the page.
Boyd's first conundrum was how many Logans to cast. The novel, told in the
first person, follows him from his earliest childhood memory - of his
teacher's circumcised penis while they are swimming together in the country of
Logan's birth, Uruguay - to his dying breath in a rural village in the south
of France. One of the book's themes is that each person changes so much over
the course of a life that they might as well be different people. Or, as Logan
puts it, "Every human being is a collection of selves." In a different story,
deciding to cast a trio of actors of various shapes, sizes and ages to play
the lead might have proved a distraction; here it subtly underlined Boyd's
central point.
What's more, all three Logans were perfectly cast. Sam Claflin played him in
his cocksure student days - dabbling with girls and gin at Oxford, then making
a name for himself as a writer. Matthew Macfadyen picked up the baton during
Logan's podgy, slightly pompous middle years, when he foolishly marries the
bossy (though landed) Lottie (Emerald Fennell), then finds and has an affair
with his soul-mate Freya (Hayley Atwell). Hovering in the background was Logan
the Old, played by the magnetic Jim Broadbent, who we saw shuffling around a
ramshackle house in the south of France like the Ghost of Christmas Yet to
Come. We didn't hear much from Broadbent's Logan but his cracked and careworn
features spoke eloquently about what's in store for his younger self.
As in the novel, some chapters of Logan's life were more convincing than
others. I still have considerable difficulty believing in Land Fothergill
(Charity Wakefield), Logan's high-minded first love, who refuses to have
anything romantic to do with him until he has embarked on a zeitgeist-
shattering work of fiction. Do women like Land Fothergill exist in the real
world? Perhaps at Oxford. Then there was Logan's over-hasty marriage to
Lottie, which comes as a surprise in the book, but was dropped on the viewer
like a thunderbolt from a cobalt blue sky.
## Related Articles
* [Gillian Anderson: 'don't box me in'][7]
19 Nov 2010
* [Any Human Heart in pictures][8]
19 Nov 2010
* [William Boyd on filming Any Human Heart][9]
05 Nov 2010
More convincing were Logan's run-ins with the great and the good - another
recurring theme - who last night included a hard-drinking Hemingway, a suave
Ian Fleming and, best of all, the Duke and Duchess of Windsor (Tom Hollander
and Gillian Anderson, both excellent), who Logan will be rubbing shoulders
with in the weeks to come.
It is famously hard for a film or TV adaptation to measure up to the fictional
world a reader has already conjured in their imagination. Yet the first
episode of Any Human Heart scarcely put a foot wrong. Every detail, from the
casting to the costumes, rang true.
However, it still wasn't a patch on the book. This wasn't Boyd's fault. It's
just that what grabs you by the lapels from the opening sentence of his novel
is Logan's voice - that crisp, funny, slightly self-regarding narrator's voice
which addresses the reader with an intimacy and directness that television,
despite all its visual advantages, cannot recreate.
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